"Our consciousness rarely registers the beginning of a growth within us any more than without us: there have been many circulations of the sap before we detect the smallest sign of the bud." - George Eliot, Silas Marner
Had you told me that attending a brunch discussion group in Provo two months ago would change my world, I probably would've called you crazy.
But you would've been right.
Rewind the tape to March. The proverbial ink was barely dry on my Utah State application, and I was finally emerging from hibernation into the swing of sociality once more. Saying yes to just about every invitation that came my way was the M.O., even if it meant getting together with a bunch of BYUites I didn't know (well, sans the invitee, an acquaintance whose path crossed mine in San Clemente). The "
Provo Narrative Group" gathered for its third meeting at Communal, a hip restaurant in downtown Provo, to discuss
Elizabeth Gilbert's TED presentation on genius.
In preparing for the get-together, I watched Gilbert's presentation over and over, listening to her explain how being inspired by her writing "genius" was unpredictable and whimsical, how strange it seemed to her to watch Eat, Pray, Love take off and take on a life of its own, apart from her, its creator. It resonated so well, surprisingly - I'd hated the film adaptation of her life, after all - and I related to Gilbert as a Writer, a label I'd never affixed to myself.
Writing had been a trade, a means of putting bread on the table and a roof over my head, and I'd approached it as a tactician, skillfully connecting words and ideas like a mason assembling a structure. After all, writing as an artist was impractical. My pragmatic roots run immensely deep, thanks to my uberpractical father and grandmother. Talent should be applied toward the end of paying bills or helping others, and if means are invested in a pursuit, it had better pay off dividends in the end.
As the group participants trickled into
Communal's semiprivate meeting room, I felt at home - far more than would be anticipated in a room of virtual strangers (unless you count the, like, three conversations I'd had with Chase at FHE years before). This group was sharp - and
fascinating. Many, if not most, had done semesters abroad, studying at Cambridge, conducting field studies in Ghana or India, seeing sights and having experiences I was too timid to tackle in my undergrad days. I know - me? Timid? Oh, you have no idea. I picked up stacks of study abroad fliers every single semester while a student, dreaming of exploring Europe with fellow students - but seeing as I was gratefully on the Grandma Scholarship, I didn't dare ask. It simply wasn't an option, I assumed - and I've only just realized how much I've held myself back from this, that, and the other for (possibly false) self-imposed reasons. Life's too short. It's just not worth limiting
any possibility worth pursuing.
So, anyways. Brunch. Creativity. Scintillating conversation. Complete admiration and awe for the adventures and courage of this talented group of potential new friends.
While discussing writerly things, I mentioned how there were stories I wanted to tell - but didn't dare blog, seeing as it would be nearly impossible to alter identities and situations to adequately "protect the innocent" from my blog readership. A sandy-haired guy across the table encouraged me to write it down anyways. "You don't have to do anything with it now," he urged - just write it for now and save it somewhere for a later date.
This concept blew me away. It was a total "Eureka!" moment.
I'd never seriously considered spending time doing that. Sure, the idea had fleetingly crossed my mind - but it was chased away just as quickly as it had arrived, fleeing in fear and terror from the pitchfork-wielding Pragmatist. Okay, that was a little hyperbolic... but, really, I'd never thought of that as something I could/would do. After all, I'm not really a "Writer" - I simply don't do things like that.
Well, that simple nudge from a complete stranger stuck. His encouragement has been buzzing in my ears for two months now, and
all I can think about is writing - even if I initially talked myself out of pursuing it. The process has been gradual - and, frankly, a little comical - as I've faced this internal battle between the Pragmatist and the Artist. Like last week, when I snatched up a cute little Moleskin-esque writing notebook from the clearance section at Borders. It caught my eye while picking up the latest
Legit Lit read, and notebooks are always handy to have. I didn't have to use it like real writers, though - I could make errand lists in it, or take notes for church firesides. Practical stuff. Again, I'm not one of
those writerly people...
Or at least I wasn't until last Friday, when I found myself sitting on the
rooftop of a parking structure in downtown Provo, struck to the core with the need to
write.
Right now. Do not pass go, do not collect $200. Never before in my life have I felt that urge to write so immediately or intensely. I asked a fellow concert-waiter to watch my chairs and dashed down to my car, heart racing, sprinting across the parking lot, all the while thinking "What am I
doing?! THIS IS SO NOT ME!!!"
And an equally loud voice rebutted, "WHY NOT?! Just because it wasn't you doesn't mean it can't be. Do not let your past define - or limit - your future."
Pen in hand, notebook open, I let loose. It wasn't journaling, and it wasn't blogging. It wasn't my usual first-person ramblings. Rather, by hand, I crafted a third-person perspective of what was happening in the moment, no more knowing the outcome than I could tell you what my life holds. It needs transcribing and editing, but I've shown the raw content to a few friends, and they say it's good. I think it is, but it's impossible for me to gauge. It's part of me; I can't objectively judge it.
The first person to read the prose was Elise, my friend who joined me at the concert a little later. She began to tell me about some of the creative nonfiction stuff they'd read in her creative writing class. I stopped her midsentence - "Creative what?" There was a genre out there that was creative AND nonfiction?!
Enter second catalyst.
And somehow that leads me to yesterday, when I went to the JFSB in pursuit of remnants of my former glory - the American Studies Student of the Year Award perpetual plaque on which my name should be first (but I've still never seen it - sigh!) - and somehow found myself sitting down in the office of the English graduate studies secretary, discussing BYU's
English MFA. If it's even a possibility, it's a long way off, but looking into it is thrilling. Practical? Not in the least. But if I'm without any obligation of the familial or financial variety a little ways down the road, then what's to stop me? It's not a this-year thing or next-year thing - I've got a stable job I enjoy, and that's not something I take lightly - but maybe someday. But that doesn't mean I can't try taking a creative nonfiction class (and maybe some of the prerequisites for the MFA) at the Y as a non-degree-seeking student. It'll improve my marketing writing, after all. (Ah, yes. The Pragmatist's still alive as ever.)
And in the meantime, I'm going to start writing. And that means taking a possible hiatus from blogging here, so I hope you've all enjoyed the flurry of posts of late. :) There are still a few posts in draft form that I want to wrap up, and I'm sure I can't stay away from here too long, but if I'm quiet for a while, that's why. Down the road I'm sure I'll share my New Project with y'all, but... not yet. Any and all insights and writing advice sure are welcome, though!